西尔维娅·普拉斯影响深远的小说《钟形罩》的故事以及她的生活与这本书之间的相似之处。这部电影包括西尔维娅·普拉斯的女儿弗里达·休斯关于她母亲的独家证词。

当夜幕降临香港，一些人已经临于梦境的时候，另一些人才开始他们的生活。霓虹光管笼罩下的喜怒哀乐与太阳照耀下的人生百态并无二致，甚且多了一份神秘色彩。一群少年在成长的道路上迷失了自己，出没在灯红酒绿的塲所从事卖淫的勾当，他们的悲剧层出不穷。也有与命运环境抗衡，不屈不挠的年轻人，他们是污泥里的莲花，老鸦巢中的凤凰，虽生活在夜晚，却朝着黎明前进。一个步入中年，一生在风尘中打滚的女人拼全力去做一个好母亲，不幸母子间的感情与时俱减，冲突与日俱增，她将要失去儿子的绝望令她投向永恒的黑暗。一个自幼与母相依为命的少年，爱母至圣却越来越不能容忍母亲的生活方式，直到母亲自杀身死，始醒悟自幼至今母亲为他付出多少的血与激！愿意迎接黎明的人，太阳永远在那里欢迎他们，打算将生命付诸黑夜的，星月亦永远不拒绝他们，人生的黑与白，光与暗，就是这么永恒地并存着。

本片根据香港知名畅销女作家深雪的同名小说《第八号当铺》改编，该小说最早连载在刘德华的网页上，深受网民的喜爱。 　　第八号当铺是一间与别人不同的当铺，典当的不止是金银珠宝，大屋楼契，而是一个人的四肢、内脏、运气、机遇、快乐，以及灵魂，价值高昂，只看你舍不舍得。黑暗世界的主宰─黑影利用人类无尽的贪婪和欲望，引诱人们前来交易，最终是想收取人类的灵魂。当铺老板由黑影亲自挑选，一旦成为当铺老板，除了可以预知未来和长生不死，更有享之不尽的荣华富贵，但绝不能动的便是当铺里客人的典当物。为了满足欲望，人类准备付出多少代价？

本片根据香港知名畅销女作家深雪的同名小说《第八号当铺》改编，该小说最早连载在刘德华的网页上，深受网民的喜爱。 　　第八号当铺是一间与别人不同的当铺，典当的不止是金银珠宝，大屋楼契，而是一个人的四肢、内脏、运气、机遇、快乐，以及灵魂，价值高昂，只看你舍不舍得。黑暗世界的主宰─黑影利用人类无尽的贪婪和欲望，引诱人们前来交易，最终是想收取人类的灵魂。当铺老板由黑影亲自挑选，一旦成为当铺老板，除了可以预知未来和长生不死，更有享之不尽的荣华富贵，但绝不能动的便是当铺里客人的典当物。为了满足欲望，人类准备付出多少代价？

八名参加者被困在一栋八层的神秘大楼内，参加充满诱惑而又危险的游戏。在这场游戏中，随着时间的流逝，参赛者将不断赢得奖金。

为了替代退职之后依然在国外保护和平的龟山，第7季最终回里登场的“新相棒”神户尊（及川光博）将正式加入搜查。 　　毕业于中央大学的神户，明明毫无经验却以惊人的速度出人头地。但却被贬至警视厅的孤岛——特命系。其实是上面为了检视特命系存在的必要性而派他埋伏在右京身边。 　　女演员内山理名作为嘉宾，将要主演初回特别篇《金丝雀女孩》。该系列在上一季创下了过去最高的平均收视率18.1%，还拍成了电影。新一季即将开幕，主人公杉下右京（水谷丰）和他的新搭档神户尊（及川光博）的配合尤其引人瞩目。本次内山的角色稍微有些特殊。她扮演的是过激派领导的女儿茉莉，并被恐怖组织绑架。内山从以前开始就是相棒的大粉丝。“能够出演特别篇真的非常高兴。”而一起拍摄之后，提及对水谷丰的印象她说：“不管什么时候都特别开朗特别温柔，很能治愈人。”该系列初回特别篇是从2002年开始，至今已经有7年。木村佳乃、纯名里沙等都担任过特别篇主演。和连续剧完全不同的故事展开也成为了话题之作

该节目以金融行业为切口，聚焦8位即将毕业的学生初入职场的状态，演播室嘉宾观察全过程，试图通过这种关注和讨论的方式，给予奋斗中的人以温暖和引导。

该节目以金融行业为切口，聚焦8位即将毕业的学生初入职场的状态，演播室嘉宾观察全过程，试图通过这种关注和讨论的方式，给予奋斗中的人以温暖和引导。

A friend of mine had rented "Shiner" only because the clerks at his local video store were talking about "how much of a bigot the director is," implying that homophobia was at the root of the film (apparently these folks never watched the special features on the DVD, which totally negates that opinion). My friend took the video home and reported to me his fascination with the film; at the same time, he felt aroused, repulsed, intrigued and frightened during and after the flick. He told me about the premise of the film, and felt somewhat ashamed for finding some of its darker content erotic. 　　 　　A few weeks later, I picked up the film and had a similar experience. I was confused; in the queer movement were taught so much about power dynamics and organize ourselves to fight violence, but here was a dramatically different take on the subject. What ended my confusion was the interview with writer/director Christian Calson on the DVD. The line of his that grabbed me the most: "I didn't want to make another gay romantic comedy." Things suddenly made sense to me. So many queer, I mean, gay films (ahem) are merely homo-remakes of mainstream romantic comedies. As queers, our message got lost as we sought inclusion in a particular medium. So, in what might be the most post-modern move of a writer/director in film history, Christian Calson sought to queer gay cinema. (Yes, I'm using queer as a verb.) He later supports this argument by talking about a form of "post-gay liberation" in which gay leaders shouted "We're doctors! We're lawyers! We're teachers!" to the point our difference and diversity became invisible. "We're just like you" led to us becoming nothing, in a sense. 　　 　　While the movie is disturbing at times, it's thoroughly engaging. The audience member feels like a voyeur, peeping into the lives of these three "couples." And through that voyeurism, we come to a closer understanding of the elements of violence and how it relates to queerness. From self-loathing to internalized homophobia, from bitter rage to being just plain f'ed up, "Shiner" takes us through a mini-gamut of how violence affects us all, in ways no PSA or "the More You Know" segment could ever hope to address. 　　 　　I highly suggest that you pick up the DVD of the film and watch the special features, including the Calson interview and the commentary, which is a noteworthy production in its own right.